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Detail of the Crucifixion of St. Peter by Michelangelo in the Cappella Paolina. Even before the unveiling of Michelangelo's Last Judgment, Paul III had already decided that Michelangelo, who desperately wanted to fulfill his contract with the della Rovere for the Tomb of Julius II, must paint the frescoes of the Cappella Paolina. This is shown ...
The Conversion of Saul is a fresco painted by Michelangelo Buonarroti (c. 1542–1545). It is housed in the Pauline Chapel (Capella Paolina), Vatican Palace, in Vatican City. This piece depicts the moment that Saul is converted to Christianity while on the road to Damascus. Pope Paul III commissioned the work for the chapel of his namesake. The ...
Pope Paul III commissioned this fresco by Michelangelo in 1541 and unveiled it in his Cappella Paolina. Restoration of the fresco completed in 2009 revealed an image believed to be a self-portrait of Michelangelo. [1] The figure is standing in the upper left corner of the fresco, wearing a red tunic and a blue turban.
Sala Regia.At the end of the hall is the entrance to the Pauline Chapel.. The Sala Regia (Regal Room) is a state hall in the Apostolic Palace in Vatican City.. Although not intended as such, this broad room is really an antechamber to the Sistine Chapel.
Fresco 625 cm × 661 cm (246 in × 260 in) Cappella Paolina, Vatican Palace, Rome: The Crucifixion of Saint Peter c. 1546 – 1550 ... Madonna del Silenzio c. 1538
The Stanza dell'incendio del Borgo was named for the Fire in the Borgo fresco which depicts Pope Leo IV making the sign of the cross to extinguish a raging fire in the Borgo district of Rome near the Vatican. This room was prepared as a music room for Julius' successor, Leo X. The frescos depict events from the lives of Popes Leo III and Leo IV.
Michelangelo completes his fresco The Last Judgment on the altar wall of the Sistine Chapel in Vatican City. Cardinal Alexander writes to Bishop Marco Vigerio discussing frescoes to be done by Michelangelo for the Cappella Paolina .
In 1573 he moved to Rome to work under Vasari in the Cappella Paolina (with Federico Zuccari) and Sala Regia of the Vatican, [1] where he adopted many of the stylistic traits of Raphael's school and produced perhaps his most famous painting, The Triumph of Faith over Infidelity.