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Apologetic music is defined as the highly produced and promoted music of the "pop music" industry: music that is composed of variable parts and interchanged to create several different songs. "The social and psychological functions of popular music [are that it] acts like a social cement" [ 88 ] "to keep people obedient and subservient to the ...
As Adorno writes in the dedication, the "sorrowful science" (a pun on Nietzsche's The Gay Science) with which the book is concerned is "the teaching of the good life", [5] a central theme of both the Greek and Hebrew sources of Western philosophy. In the mid-20th century, Adorno maintains that a good, honest life is no longer possible, because ...
Edited by Rolf Tiedemann, with Gretel Adorno, Susan Buck-Morss and Klaus Schultz, the twenty volume edition of Adorno's writings were published from 1970 to 1986. Additionally, his Nachgelassene Schriften [NaS], edited by the Theodor W. Adorno Archive, includes his lecture courses, as well as incomplete works.
Adorno's work has had a large impact on cultural criticism, particularly through Adorno's analysis of popular culture and the culture industry. [10] Adorno's account of dialectics has influenced Joel Kovel, [11] the sociologist and philosopher John Holloway, the anarcho-primitivist philosopher John Zerzan, [12] the sociologist Boike Rehbein, [13] and the Austrian musicologist Sebastian Wedler.
The Institute for Social Research, Frankfurt am Main, Germany. The term "Frankfurt School" describes the works of scholarship and the intellectuals who were the Institute for Social Research, an adjunct organization at Goethe University Frankfurt, founded in 1923, by Carl Grünberg, a Marxist professor of law at the University of Vienna. [5]
Ned Block (ed.), Readings in Philosophy of Psychology, 1981; Mario Bunge and Rubén Ardilla, Philosophy of Psychology, 1987; Paul E. Meehl, "Theoretical Risks and Tabular Asterisks: Sir Karl, Sir Ronald, and the Slow Progress of Soft Psychology", 1992; Steven Pinker, The Blank Slate: The Modern Denial of Human Nature, 2002
Aesthetic Theory was edited by Gretel Adorno (the philosopher's widow) and Rolf Tiedemann from Adorno's working drafts. [4] It was assembled from unfinished manuscripts Adorno had composed between May 4, 1961, and July 16, 1969, mainly between October 25, 1966, and January 24, 1968.
Adorno had been a member of the "Frankfurt School", a group of philosophers and Marxist theorists who fled Germany when Hitler shut down their Institute for Social Research. Adorno et al. were thus motivated by a desire [citation needed] to identify and measure factors that were believed to contribute to antisemitic and fascist traits.