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Relief fragment of Mara in Gandhara style, found in Swat Valley The demons of mara. Palm leaf manuscript. Nalanda, Bihar, India Mara's assault on the Buddha (an aniconic representation: the Buddha is only symbolized by his throne), 2nd century, Amaravati Stupa, India Mara, his lustful daughters, and demonic army, attempting to tempt Buddha, on a 10th-century icon from Mogao Caves
The Jataka tales are a voluminous body of literature concerning the stories of previous births of Gautama Buddha. Following is the list of Jataka tales mentioned in Buddhist literature or mythology. The tales are dated between 300 BC and 400 AD. Thangka of Buddha with the One Hundred Jataka Tales in the background, Tibet, 13th-14th century.
Birth of the Buddha, Lorian Tangai, Gandhara.The Buddha is shown twice: being received by Indra, and then standing up immediately after. The iconography of the events reflects the elaborated versions of the Buddha's life story that had become established from about 100 AD in Gandharan art and elsewhere, such as Sanchi and Barhut, and were given detailed depictions in cycles of scenes ...
Thoranee called tonnes of water and flooded away the maras. The episode results in the name Mara Vichai which means the "Victory (vichai) over the Mara". The Māravijaya seated Buddha is considered the common attitude for principal Buddha in ubosots of Khmer, Lao and Thai wats and Burmese kyaungs. [citation needed] A Dakkhiṇasākhā statue of ...
At the behest of his teacher, a young Brahmin named Ambatha visited the Buddha. Knowing the Buddha's family to be the Shakya clan, who are Kshatriya caste, Ambattha failed to show him the respect he would a fellow Brahmin. When the Buddha questioned his lack of respect, Ambatha replied it was because the Buddha belongs to a "menial" caste.
Then Mara the Evil One, realizing, "The bhikkhuni Vajira knows me," sad and disappointed, disappeared right there.” [1] This passage is famous not just for succinctly presenting the Buddha’s teaching of non-self through the simile but also for being one of the earliest depictions of a woman adept at comprehending and practising the Buddha ...
In temple murals, Phra Mae Thorani is often depicted with the Buddha in the mudra known as calling the earth to witness. The waters flowing forth from her long hair wash away the armies of Mara and symbolize the water of the bodhisattva's perfection of generosity (dāna paramī).
The word jarā is related to the older Vedic Sanskrit word jarā, jaras, jarati, gerā, which means "to become brittle, to decay, to be consumed". The Vedic root is related to the Latin granum , Goth. kaurn , Greek geras, geros (later geriatric) all of which in one context mean "hardening, old age".