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to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
A cross with four arms of equal length which widen to a hammer shape at the outside ends. Each arm has a triangular panel inscribed in a triquetra (three-cornered knot) pattern. There is a small square panel in the center of the cross. A symbol of the Anglican and Episcopal Churches. Celtic cross
A crucifix (from the Latin cruci fixus meaning '(one) fixed to a cross') is a cross with an image of Jesus on it, as distinct from a bare cross. The representation of Jesus himself on the cross is referred to in English as the corpus (Latin for 'body').
Three variants of obelus glyphs. The dagger symbol originated from a variant of the obelus, originally depicted by a plain line − or a line with one or two dots ÷. [7] It represented an iron roasting spit, a dart, or the sharp end of a javelin, [8] symbolizing the skewering or cutting out of dubious matter.
An altar cross in the center of an altar table of a Methodist chapel in Kent, Ohio, United States. The center of the altar cross contains the christogram "IHS". Altar with crucifix in the Imperial Mausoleum in the Cathedral of Petrópolis, Brazil. In the foreground, a tomb with effigies of Emperor Pedro II of Brazil and his wife Teresa Cristina.
His masterpiece is the imposing Crucifix (1250) in the left transept of Basilica of Saint Dominic in Bologna, with the writing in Latin "Cuius docta manus me pixit Junta Pisanus" (painted by the learned or skilled hand of Giunta Pisano). It is still much influenced by the Byzantine style and represents one of the best examples of 13th-century ...
Crucifixions and crucifixes have appeared in the arts and popular culture from before the era of the pagan Roman Empire. The crucifixion of Jesus has been depicted in a wide range of religious art since the 4th century CE, frequently including the appearance of mournful onlookers such as the Virgin Mary, Pontius Pilate, and angels, as well as ...
This crucifix, created at the turn of the century, marks a notable transition in Núñez Delgado's artistic style, from elegant Mannerism to the more robust Baroque style. Jesus's suffering is depicted with soul-searing intensity, making it a powerful devotional object. It is also quite costly: the cross is ebony inlaid with mahogany heartwood ...
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