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'Move It on Over' hits right home, 'cause half of the people he was singing to were in the doghouse with the ol' lady." [8] "Move It on Over" was Williams' first major hit, reaching #4 on the Billboard Most Played Juke Box Folk Records chart and got him a write up in The Alabama Journal. The revenue generated by the song was the first serious ...
Over the years the UOGB has released over 30 albums, but have spent most of their time touring around the world. The UOGB has consistently received critical praise from the media for its concerts. The Ukulele Orchestra of Great Britain has been called "not only a national institution, but also a world-wide phenomenon".
Move It On Over is the second studio album by American blues rock band George Thorogood and the Destroyers. It was released in 1978 by the label Rounder Records. The album peaked at No. 33 on the Billboard 200 chart, [1] and was on the chart for 47 weeks. [2] The album contains all cover material.
Download as PDF; Printable version; In other projects Wikidata item; Appearance. move to sidebar hide. Move It On Over may refer to : "Move It On Over" (song) ...
He described the song as "a plea to take it easy and be cool" with a "tremendous driving beat with heavy electric guitar predominating". [35] Writing for Rolling Stone shortly after Harrison's death in November 2001, David Fricke featured the track in his article "25 Essential Harrison Performances". Calling it an "explosion of blistering ...
"Believe Me, If All Those Endearing Young Charms" is a popular song written by the Irish poet Thomas Moore, setting new lyrics to a traditional Irish air that can be traced back into the 18th century. [1]
It entered the UK Singles Chart in the final week of May and reportedly got a boost from DJ Tony Blackburn, who favoured this version over the one by Mac and Katie Kissoon (which had recently been released), and topped the charts three weeks later for five weeks. [9]
The Allmusic site awarded the album 3½ stars calling the album "a gritty, kinetic session fueled by the lively give and take of its principles... All four participants seem to operate on pure instinct, translating the energy of the live setting into the sterile confines of the recording studio, and the music is all the better for it".