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A master shot (or short master) is a film recording of an entire dramatized scene, start to finish, from a camera angle that keeps all the players in view. It is often a long shot and can sometimes perform a double function as an establishing shot. Usually, the master shot is the first shot checked off during the shooting of a scene.
An establishing shot in filmmaking and television production sets up, or establishes, the context for a scene by showing the relationship between its important figures and objects. [ 2 ] [ 3 ] It is generally a long or extreme-long shot at the beginning of a scene indicating where, and sometimes when, the remainder of the scene takes place.
the master shot is a scene done in one single take, with no editing [citation needed] the freeze frame shot is created in editing by displaying a single frame for an elongated duration of time [citation needed] the insert shot is created in editing by replacing a picture with another while the audio stays the same [citation needed]
Master shot A shot, often a medium shot or longer, which shows all the important action in a scene. In editing, the master can be used to a greater or lesser extent as the 'skeleton' of the edit, which is fleshed out by replacing parts of the master with tighter coverage such as closeups and cutaways. Match cut
Establishing shot (ES) A shot typically used to display a location and is usually the first shot in a new scene. [7] These establish the setting of a film, whether that is the physical location or the time period. Mainly it gives a sense of place to the film and brings the viewer to wherever the story requires them to be. Master shot (MS)
Coverage shots are needed because the long take master shot looks static and stagey to modern audiences. [16] The establishing shot is one kind of coverage shot. It helps to place the viewer in a physical context, and avoid a claustrophobic feel to the film. [16] Cutaway shots are considered part of coverage.
master shot match cut A type of cut from one shot to another where the composition of each shot is matched to the other by the action or subject matter depicted; e.g. in a scene depicting a duel, a long shot showing both of the duellists might cut to a close-up shot of one of the duellists in the midst of the action. Match cuts are precisely ...
Generally, the two outer cameras shoot close-up shots or "crosses" of the two most active characters on the set at any given time, while the central camera or cameras shoot a wider master shot to capture the overall action and establish the geography of the room. [1]