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Maruja Mallo (1902–1995), Galician Spanish avant-garde artist whose painting in the 1930s was influenced by surrealism. Margaret Modlin (1927–1998), American surrealist painter, sculptor and photographer who spent most of her adult life in Spain. Grace Pailthorpe (1883–1971), British surrealist painter, surgeon, and psychology researcher. [8]
Marion Elizabeth Adnams (3 December 1898 – 24 October 1995) was an English painter, printmaker and draughtswoman. She is notable for her surrealist paintings, in which apparently unconnected objects appear together in unfamiliar, often outdoor, environments.
Paul Delvaux (French:; 23 September 1897 – 20 July 1994) was a Belgian painter noted for his dream-like scenes of women, classical architecture, trains and train stations, and skeletons, often in combination.
The San Francisco Modern Museum of Art also featured her work in an exhibition entitled "Women, Surrealism, and Self-representation" in 1999. [18] Fini's work often included sphinxes, werewolves, and witches. [19] Most of the characters in her art were female or androgynous. [20]
One of those dogs is itself an echo of the immense, illusionary figure of a dog which stretches from the left to the right margin of the painting, with the dog's collar formed by a multi-arched bridge or aqueduct in the landscape beyond. This repetition of shapes is a frequent motif in Dalí's surrealist works. [2]
[1] The opened drawers in this expressive, propped up female figure thus refer to the inner subconscious within man. In Dalí's own words his paintings form "a kind of allegory which serves to illustrate a certain insight, to follow the numerous narcissistic smells which ascend from each of our drawers."
In 2020, Colquhoun's work featured in the British Surrealism exhibition at the Dulwich Picture Gallery. [59] In 2021, it was featured in the Phantoms of Surrealism show at Whitechapel Art Gallery, [60] the Unsettling Landscapes exhibition at St Barbe Museum & Art Gallery, [61] and was the focus of an exhibition at Unit London, Song of Songs. [62]
Julie Heffernan (born 1956 in Peoria, Illinois) is an American painter whose work has been described by the writer Rebecca Solnit as "a new kind of history painting" [1] and by The New Yorker as "ironic rococo surrealism with a social-satirical twist". [2]