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The New York Times felt that "DOWN AND OUT IN AMERICA is clear about its message: The system has failed, and the American dream has died.". [11] The film went on to receive the Academy Award for Best Documentary feature, the first Oscar win for the cable broadcast industry. [12] The film's negative has been preserved in the Academy Film Archive ...
An Inconvenient Truth is a 2006 American documentary film directed by Davis Guggenheim about former vice president of the United States Al Gore's campaign to educate people about global warming. The film features a slide show that, by Gore's own estimate, he has presented over 1,000 times to audiences worldwide.
Exterminate All the Brutes is an internationally co-produced documentary television miniseries revolving around colonization and genocide, directed and narrated by Raoul Peck. The series consists of four episodes and premiered in the United States on April 7, 2021, on HBO . [ 1 ]
Best Documentary Feature I Am Not Your Negro: Won 41st Toronto International Film Festival: September 18, 2016: People's Choice Award – Documentary Raoul Peck Won Village Voice Film Poll: December 21, 2016 Best Documentary I Am Not Your Negro: 3rd Place (Tied with No Home Movie) Washington D.C. Area Film Critics Association Awards: December 4 ...
Ken Burns, the legendary documentarian has examined nearly every era of American history. We ranked all of his films, from Baseball to The Vietnam War.
Harvest of Shame was a 1960 television documentary presented by broadcast journalist Edward R. Murrow on CBS that showed the plight of American migrant agricultural workers.It was Murrow's final documentary for the network; he left CBS at the end of January 1961, at John F. Kennedy's request, to become head of the United States Information Agency.
The documentary will combine footage of his pursuit of filmmaking, scenes from his films, photographs from his childhood and candid conversations that have taken place within his Los Angeles-based ...
Stranger with a Camera is a 2000 documentary film by director Elizabeth Barret, investigating the circumstances surrounding the 1967 death of filmmaker Hugh O'Connor.Barret was born and raised in the region, and the film explores questions about public image and the individual's lack of power to define oneself within the American media landscape.