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On review aggregator Rotten Tomatoes, The Cat in the Hat has an approval rating of 10% based on 164 reviews and an average rating of 3.4/10. The site's critical consensus reads: "Filled with double entendres and potty humor, this Cat falls flat."
Slash/Film said that “Be My Cat is insidiously terrifying and Țofei is magnetic on screen. Even as Adrian’s world grows darker and more unhinged, you can’t avert your eyes.” [42] Dread Central gave the movie 4 stars and wrote that "Be My Cat takes meta-filmmaking to mind-bending levels and plays out like an arthouse snuff film. Simply ...
On Rotten Tomatoes, Catch Me If You Can has a rating of 96% based on 203 reviews, with an average rating of 7.90/10. The site's critical consensus reads: "With help from a strong performance by Leonardo DiCaprio as real-life wunderkind con artist Frank Abagnale, Steven Spielberg crafts a film that's stylish, breezily entertaining, and ...
The Cat in the Hat falls in the "bad creepy" camp, where the intention behind every creative choice seems whimsical and fun, but the end result is strained and unnerving. Case in point: Thing 1 ...
You might be surprised by how many popular movie quotes you're remembering just a bit wrong. 'The Wizard of Oz' Though most people say 'Looks like we're not in Kansas anymore,' or 'Toto, I don't think
A fictional town called Kotha, which is situated near the Kerala-Tamil Nadu border Lillian, Ohio: Super 8: Paramount Pictures A town in Ohio, where local children find an alien while filming their movie, and where people start experiencing problems with electricity, as well as strange disappearances of some people and electronic items.
An anthropomorphic cat puppet used in the short, a parody of various other puppets used in sitcoms. Spot: Star Trek Generations: Data's cat seen in Star Trek: The Next Generation [9] and Star Trek Generations: Stray cat The Girl with the Dragon Tattoo: Tabby cat who visits the Swedish dwelling where Mikael Blomkvist is staying while doing ...
The Town That Dreaded Sundown is a 2014 American slasher film and serves as a metafictional sequel to the 1976 film of the same name. Directed by Alfonso Gomez-Rejon in his feature-length directorial debut, the film was written by Roberto Aguirre-Sacasa and produced by Jason Blum and Ryan Murphy .