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Reader-response criticism is a school of literary theory that focuses on the reader (or "audience") and their experience of a literary work, in contrast to other schools and theories that focus attention primarily on the author, content, or form of the work.
The concept of affective fallacy is an answer to the idea of impressionistic criticism, which argues that the reader's response to a poem is the ultimate indication of its value. It is the antithesis of affective criticism, which is the practice of evaluating the effect that a literary work has on its reader or audience.
The idea has been very influential in reader-response criticism, though it has also been very controversial. It is sometimes interpreted as a relativistic standpoint that downplays verbal meaning. Fish, contrary to this, is a staunch advocate of his own readings of various texts.
David Bleich is an American literary theorist and academic. He is noted for developing the Bleich "heuristic", a reader-response approach to teaching literature. [1]He is also a proponent of reader-response criticism to literature, advocating subjective interpretations of literary texts.
The reader's impression of the author's intent is a working force in interpretation, but the author's actual intent is not. Some critics in this school believe that reader-response is a transaction and that there is some form of negotiation going on between authorial intent and reader's response.
While the methods focused on the Aesthetics of reception the objective is how the book is perceived by the reader without worrying about the authorial intent or original audiences, the historical-grammatical method considers the reader-response irrelevant. Reader-centered methods are diverse, including canonical criticism, confessional ...
Reader-response criticism developed in Germany and the United States as a reaction to New Criticism. It emphasises the reader's role in the development of meaning. [26] Reception theory is a development of reader-response criticism that considers the public response to a literary work and suggests that this can inform analysis of cultural ...
For the reader's part, he or she must pay close attention to every detail of the text and pay equal attention to his or her own responses. This process exemplifies not only reader-response criticism but also close reading. This inclusion of Rosenblatt's "transactional" theory within the designation "reader-response," however, needs to be contested.