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The term "chord chart" can also describe a plain ASCII text, digital representation of a lyric sheet where chord symbols are placed above the syllables of the lyrics where the performer should change chords. [6] Continuing with the Amazing Grace example, a "chords over lyrics" version of the chord chart could be represented as follows:
Added tone chord; Altered chord; Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord
"Nice to Meet You" is a song by British singer-songwriter Myles Smith. It was released on 8 November 2024 as the fourth single from his second extended play A Minute.... [1] Upon release, Smith said: "It's inspired by stories from friends in my life. A reminder that the right person can change everything, often when you least expect it." [2]
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
Thirteenth chords are theoretically eleventh chords with the 13th (or sixth) added. In other words, theoretically they are formed by all the seven notes of a diatonic scale at once. Again, it is common to leave certain notes out. After the fifth, the most commonly omitted note is the 11th (fourth). The ninth (second) may also be omitted.
Roxanne Blanford of AllMusic says "Meet Virginia" is one of a few songs from the album Train that has "inspired hooks and reflective lyrics". [5] Christa L. Titus, of Billboard magazine in her review of their second album, called the song an "ode to a wrong-side-of-the-tracks girl full of quirky contradictions."
The version by Dinah Washington reached No. 88 on the chart in 1962. A version by The Spinners in 1965 gave it a more contemporary sound and was included on the 1967 LP The Original Spinners. The Donny Hathaway version from the LP Roberta Flack & Donny Hathaway (Atlantic, 1972) has become one of the standout versions of the song. [citation needed]
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