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The Oberheim OB-8 is a subtractive analog synthesizer launched by Oberheim in early 1983 and discontinued in 1985. As the fourth product in the OB-series of polyphonic compact synthesizers, the OB-8 was the successor to the OB-Xa .
The Yamaha CS-80 is an analog synthesizer introduced by Yamaha Corporation in 1977. [2] It supports true 8-voice polyphony, with two independent synthesizer layers per voice each with its own set of front panel controls, in addition to a number of hardwired preset voice settings and four parameter settings stores based on banks of subminiature potentiometers (rather than the digital ...
The Jupiter-8 is an 8-voice polyphonic analog synthesizer. Each voice features two discrete VCOs with cross-modulation and sync, pulse-width modulation, a non-resonant high-pass filter, a resonant Low-pass filter with 2-pole (12 dB/octave) and 4-pole (24 dB/octave) settings, an LFO with variable waveforms and routings, and two envelope generators (one invertible).
WH-1000XM4. Just below those Bowers & Wilkins in price is Sony's WH-1000XM4. (Bad product naming here.) The main seller for these is the noise-cancelling—which is the best out there.Of all the ...
A nice compromise in the “wired headphones” vs. “ear buds” debate, the SENSO headphones are cordless, but do connect to one another via a thin strap. The best affordable headphones for ...
Modern over-the-ear headphones offer incredible sound and impressive noise-cancelling, often for a surprisingly low price. (Photos: 1More, Soundcore, Sony)
The Voyetra-8 (Voyetra-Eight) is an eight voice polyphonic analog synthesizer.Released in 1982 by Octave-Plateau Electronics (later renamed Voyetra and still later merged with Turtle Beach Systems to become Voyetra Turtle Beach, Inc.), it was one of the first analog programmable synthesizers to be rack-mountable and remains one of the most flexible digitally controlled analog synthesizers.
These synthesizer models were logically named the Oberheim Oberheim Two Voice (TVS) and Four Voice (FVS). In 1976, Oberheim introduced the Polyphonic Synthesizer Programmer (PSP-1), an optional module which made possible the storage and recall of most of the SEM's parameters, as well as the ability to glide from one note or chord to another ...
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