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Instrumental rock was most popular from the mid-1950s to mid-1960s, with artists such as Bill Doggett Combo, The Fireballs, The Shadows, The Ventures, Johnny and the Hurricanes and The Spotnicks. Surf music had many instrumental songs. Many instrumental hits had roots from the R&B genre. The Allman Brothers Band feature several instrumentals.
A significant portion of Zappa's discography consists of instrumental works, but many of these could be classified as modern classical or avant-garde music rather than rock. "Peaches en Regalia" (Hot Rats, 1969) "Eat That Question" (The Grand Wazoo) Sleep Dirt (1979 - reissues of this album featured overdubbed vocals on several tracks)
Example from Free Music Archive, Steve Combs & Delta Is - "Theme Q", bass, drum, guitar, keyboard, 4 min 53 s. In commercial popular music, instrumental tracks are sometimes renderings, remixes of a corresponding release that features vocals, but they may also be compositions originally conceived without vocals. One example of a genre in which ...
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100 musicians took a part in the poll. [2] Although the names of the musicians were not stated, it was stated that former and current members of Riblja Čorba, Bijelo Dugme, Smak, YU Grupa, Leb i Sol, Vatreni Poljubac, Indijanci, Zbogom Brus Li, Čovek Bez Sluha, Atheist Rap, Kerber, Prljavi Inspektor Blaža i Kljunovi, Sunshine, Oktobar 1864, Goblini, Lutajuća Srca, Novembar, Galija, Siluete ...
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The Grammy Award for Best Contemporary Instrumental Album (previously: Best Pop Instrumental Album) is an award presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, [1] to recording artists for quality instrumental albums in the pop music genre.
"Telstar" is a 1962 instrumental by the English band the Tornados, written and produced by Joe Meek. It reached number one on the UK Singles Chart and the US Billboard Hot 100 in December 1962 (the second British recording to reach number one on that chart in the year, after "Stranger on the Shore" in May). It was the second instrumental single ...
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