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A chhajja is an overhanging eave or roof covering found in Indian architecture. It is characterised with large support brackets with different artistic designs. Variation is also seen in its size depending on the importance of the building on which it features or the choice of the designer. [1]
Overhang on 16th century Tomb of Salim Chishti, Fatehpur Sikri, India In architecture , an overhang is a protruding structure that may provide protection for lower levels. Overhangs on two sides of Pennsylvania Dutch barns protect doors, windows, and other lower-level structures.
Bell-cast (sprocketed, flared): A roof with the shallow slope below the steeper slope at the eaves. Compare with bell roof. East Asian hip-and-gable roof; Mokoshi: A Japanese decorative pent roof; Pavilion roof : A low-pitched roof hipped equally on all sides and centered over a square or regular polygonal floor plan. [10]
In honor of International Day of the Girl Child, AOL Real Estate spoke with several American women architects across the country -- with an emphasis on those who design homes -- to see what ...
Chicago Avenue side of architect Frank Lloyd Wright's home and studio in Oak Park, Illinois, showing post-1911 changes to studio building. Robie House, 1910. It is considered by many to be the quintessential Prairie house Harold C. Bradley House, Madison, Wisconsin, by Louis Sullivan and George Grant Elmslie Woodbury County Courthouse, Iowa, by William L. Steele and Purcell and Elmslie ...
Eaves overhang, shown here with a bracket system of modillions. The eaves are the edges of the roof which overhang the face of a wall and, normally, project beyond the side of a building. The eaves form an overhang to throw water clear of the walls and may be highly decorated as part of an architectural style, such as the Chinese dougong ...
Dutch Colonial is a style of domestic architecture, primarily characterized by gambrel roofs having curved eaves along the length of the house. Modern versions built in the early 20th century are more accurately referred to as "Dutch Colonial Revival", a subtype of the Colonial Revival style.
Its "broad, sweeping horizontal lines; low, cantilevered roofs with overhanging eaves; and an open interior floor plan, . . . epitomizes Wright's aim to design structures in harmony with nature." [ 32 ] A significant contributor to the concept of bringing nature indoors is the 175 leaded glass windows and doors, which feature a design of ...