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The technique has been used by Native Americans and in Africa, the Middle East and South America. Guatemalan examples use beads of size 22/0 and smaller. [1] This is an off-loom technique perfected by Native Americans. It is a relative of another off-loom technique called peyote stitch or gourd stitch. [2]
Example of Native American peyote stitch from Oklahoma. The peyote stitch, also known as the gourd stitch, is an off-loom bead weaving technique. Peyote stitch may be worked with either an even or an odd number of beads per row.
Native American beadwork, already established via the use of materials like shells, dendrite, claws, and bone, evolved to incorporate glass beads as Europeans brought them to the Americas beginning in the early 17th century. [20] [21] Native beadwork today heavily utilizes small glass beads, but artists also continue to use traditionally ...
In the past, Western art historians have considered use of Western art media or exhibiting in international art arena as criteria for "modern" Native American art history. [47] Native American art history is a new and highly contested academic discipline, and these Eurocentric benchmarks are followed less and less today.
Bead embroidery is a type of beadwork that uses a needle and thread to stitch beads to a surface of fabric, suede, or leather. Bead embroidery is an embellishment that does not form an essential part of a textile's structure. In this respect, bead embroidery differs from bead weaving, bead crochet, and bead knitting. Woven, knitted, and ...
Native beadwork continued to advance in the pre-Columbian era. Beads were made from hand-ground and filed turquoise, coral, and shell. Carved wood, animal bones, claws, and teeth were made into beads, which were then sewn onto clothing, or strung into necklaces. [6] [7] Turquoise is one of the dominant materials of Southwestern Native American ...
Jackie Larson Bread is a Native American beadwork artist from the Blackfeet Reservation in Browning, Montana. [1] Her interest in bead work was sparked from looking at her late-grandmother's beaded pieces. [2] In awe of these objects, Bread self-taught herself how to bead when she was younger and now, she has been beading for more than 20 years.
Martha Berry is a Cherokee beadwork artist, who has been highly influential in reviving traditional Cherokee and Southeastern beadwork, particularly techniques from the pre-Removal period. She has been recognized as a Cherokee National Treasure and is the recipient of the Seven Star Award and the Tradition Bearer Award.
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