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The musicologist Winton Dean has suggested that "music is probably the most difficult of the arts to criticise." [2] Unlike the plastic or literary arts, the 'language' of music does not specifically relate to human sensory experience – Dean's words, "the word 'love' is common coin in life and literature: the note C has nothing to do with breakfast or railway journeys or marital harmony."
From 1896 to 1898, he worked for the New York Herald, [1] then from 1901 to 1913 as a music critic for Harper's Weekly, [1] where he advanced to the position of managing editor. From 1915 to 1923, he worked as a critic in multiple arts for the North American Review , and for the Herald Tribune from 1923 until his death.
Hector Berlioz, active as a music journalist in Paris in the 1830s and 1840s. Music journalism has its roots in classical music criticism, which has traditionally comprised the study, discussion, evaluation, and interpretation of music that has been composed and notated in a score and the evaluation of the performance of classical songs and pieces, such as symphonies and concertos.
Specialist music paper The Musical World began publication in 1836 and The Musical Times in 1844. In France, the composer Hector Berlioz wrote reviews and criticisms for the Paris press of the 1830s and 1840s, [ 2 ] as did other French writers such as Gérard de Nerval and François-Joseph Fétis . [ 3 ]
Monelle received a Master of Arts degree in modern history from the University of Oxford and Bachelor of Music degree from the University of London.A member of the Royal Musical Association at least since 1968, he completed his Ph.D. at the University of Edinburgh with a doctoral thesis on "Opera seria as drama: the musical dramas of Hasse and Metastasio", which he wrote under the supervision ...
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Approaches or techniques to musical analysis. Assumption and advocating could be considered missing. Musical analysis is the study of musical structure in either compositions or performances. [1]