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A few pebbles are inserted to make it rattle and it is crowned with the red feathers of the guarás (scarlet ibis). It was used at their dances and to heal the sick. [4] Andean curanderos (healers) use maracas in their healing rites. [5] Modern maraca balls are also made of leather, wood or plastic. [6] A maraca player in Spanish is a maraquero ...
Samba de Amigo is played with a pair of maracas. As a song plays, the player, guided by on-screen graphics, must shake the maracas at high, middle, or low heights with the beat of the music, or occasionally must strike poses with the maracas held in various positions. The player is represented on-screen by Amigo, a Brazilian [citation needed ...
Nonsecular musical genres within the Garifuna culture stem from a fusion of West African ancestral worship and Amerindian shamanism. [citation needed] Examples of Garifuna music rituals include Adügürühani (also known as dügü), a healing ceremony; Arairaguni, an invocation to determine illness; Amuyadahani, a ritual in which family members make offerings to their ancestors; and Achuguhani ...
The shak-shak (or chak-chak) is a kind of Antillean musical instrument, similar to maracas or shakers. They are played in Barbados , Montserrat , Grenada and elsewhere in the Caribbean. Their uses include Montserratian string bands and the Barbadian crop over festival.
Students at Ankeny's Prairie Ridge Middle School are using technology to help bring more music to their fellow classmates.
Kashaka. The kashaka is a simple percussion instrument consisting of two small gourds filled with beans (essentially, two small maracas connected by a string). One gourd is held in the hand and the other is quickly swung from side to side around the hand, creating a "clack" sound upon impact.
Coyle says this is particularly true for individuals with “lower digital literacy, who may struggle to distinguish between authentic and fake online content, making them more vulnerable to ...
Bomba Dance in Guaynabo, Puerto Rico. Bomba was developed in Puerto Rico during the early European colonial period. The first documentation of bomba dates back to 1797: botanist André Pierre Ledru described his impressions of local inhabitants dancing and singing popular bombas in Voyage aux îles de Ténériffe, la Trinité, Saint-Thomas, Sainte-Croix et Porto Ricco.