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Yupei could be stringed together to make an ensemble of jade pendants (which would hold at the belt and could also be composed of chains of bi (璧; jade discs or jade rings). [ 2 ] : 18–20 Jade in the form of huang were also popular in the making of yupei and had a rigid and specific rules attached to its use.
Some jade pendants also combined jades in the shape of dragons, phoenixes, humans, human-dragons, and animals, etc. [20] [21] [22] In the Qing dynasty, it was popular for women to wear green, translucent jade jewelries; pendants which were carved in the shape of a curving dragon was popular. [23]
Both jade magatama from the site are of unusually high-quality brilliant green jade. [16] One known center of Yayoi magatama production was in the area of the Tamatsukuri Inari Shrine in Osaka. Tamatsukuri literally means "jewel making", and a guild, the Tamatsukuri-be, was active from the Yayoi period. An existing jewel at the shrine is said ...
Techniques for making and using beads have been in place long before that with beads made from bone, clay, stone, coral, turquoise, pyrite, jade and seeds. [1] Huichol art was first documented in the very late 19th century by Carl Lumholtz. This includes the making of beaded earrings, necklaces, anklets and even more. [1]
Hinepare, a woman of the Ngāti Kahungunu tribe, wearing a hei-tiki Hei-tiki; circa 18th century; nephrite and haliotis shell; height: 10.9 cm (4 1 ⁄ 4 in.); from New Zealand; Los Angeles County Museum of Art (USA) The hei-tiki (Māori pronunciation: [hɛi ˈtiki], New Zealand English: / h eɪ ˈ t ɪ k i / [1]) is an ornamental pendant of ...
The yingluo is a ring-shaped necklace. As a necklace, it comes in various styles and shape. It was generally made of gold, jade, pearls, and other precious materials. [2] It also often featured suspended beads combined with auspicious trinkets or motifs rooted in Chinese culture.
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