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Nine Short Pieces for Piano is a set of small-scale compositions by Douglas Lilburn. They were written around 1965 and published in 1969, chosen in 1967 with pianist Margaret Nielsen from a folder of similarly brief manuscripts labelled "crotchety at 51". [1] They are about twelve minutes long in total. [2]
This version is played over the film's end credits and is referred on the soundtrack as "Aladdin's Theme". [2] The version peaked at number one on the US Billboard Hot 100 chart for a week, ending on March 6, 1993, [ 12 ] replacing Whitney Houston 's " I Will Always Love You ", which had spent a then-record 14 weeks at the top of the chart.
Aladdin, or the Wonderful Lamp (in Danish: Aladdin, eller Den forunderlige Lampe; typically shortened to just Aladdin), Op. 34 (FS 89; CNW 17), is theatre music for soloists, mixed choir, and orchestra written from 1917 to 1919 by the Danish composer Carl Nielsen to accompany the Danish playwright Adam Oehlenschläger's 1805 "dramatic fairy tale" ("dramatisk eventyr") of the same name.
Twenty-five years ago -- November 25, 1992, to be exact -- Disney's animated classic 'Aladdin' premiered.
Disney's Aladdin: A Musical Spectacular is a 45-minute Broadway-style musical theatre show based on Disney's 1992 animated feature film Aladdin with music by Alan Menken and lyrics by Howard Ashman and Tim Rice.
The Award-winning composer recorded a new version of the Mary Poppins hit, “Feed the Birds.” ... off “Once Upon a Studio,” the animated short that celebrates 100 years of stories and magic ...
The Oriental riff and interpretations of it have been included as part of numerous musical works in Western music. Examples of its use include Poetic Tone Pictures (Poeticke nalady) (1889) by Antonin Dvořák, [6] "Limehouse Blues" by Carl Ambrose and his Orchestra (1935), "Kung Fu Fighting" by Carl Douglas (1974), "Japanese Boy" by Aneka (1981), [1] [4] The Vapors' "Turning Japanese" (1980 ...
Aladdin is a stage musical based on the Walt Disney Animation Studios 1992 film of the same name, with a book by Chad Beguelin, music by Alan Menken and lyrics by Howard Ashman, Tim Rice and Beguelin.