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Katharina von Bora wears a front-laced grayish gown with black trim. She wears a white partlet edged in black, and her hair is confined in a net or snood, 1526. Princess Sibylle von Cleves as a bride wears a tight-waisted gown with slashed and puffed sleeves over a high-necked chemise with a wide band at the neck. Her loose hair and the jeweled ...
Unknown English lady, formerly called Elizabeth I, wears a black gown over a white bodice and sleeves embroidered in black and gold, and a spotted white petticoat. Her hood is draped over her forehead in a style called a bongrace , and she carries a zibellino or flea-fur, with a jeweled face, 1595.
Allegorical Painting of Two Ladies. Allegorical Painting of Two Ladies, English School is a 17th-century allegorical painting by an unknown artist, and dated from the 1650s. . For its period, the painting is considered unusual in its depiction of a black woman and a white woman sitting side by si
In England from the 1630s, under the influence of literature and especially court masques, Anthony van Dyck and his followers created a fashion for having one's portrait painted in exotic, historical or pastoral dress, or in simplified contemporary fashion with various scarves, cloaks, mantles, and jewels added to evoke a classic or romantic mood, and also to prevent the portrait appearing ...
Neck-line: Bertha is the low shoulder neck-line worn by women during the Victorian Era. The cut exposed a woman's shoulders and it sometimes was trimmed over with a three to six-inch deep lace flounce, or the bodice has neckline draped with several horizontal bands of fabric pleats.
English court dress from the 1660s, made of silver tissue and decorated with applied parchment lace. [4] From the Fashion Museum, Bath. Peter Lely portrays Two Ladies of the Lake Family wearing satin dresses over shifts or chemises with voluminous sleeves. Their hair is worn in masses of ringlets to the shoulders on either side, and both wear ...
Marie and Jean revive their romance, and Marie distances herself from Pierre Revel. Jean finishes Marie's portrait, but instead of painting her wearing the elegant outfit she chose for the sitting, he paints her in the simple dress she wore on the night she left for Paris. Jean proposes to Marie. Jean's mother fights with him over the proposal.
Women wore linen headdresses or wimples and veils, c. 1250 Costume during the thirteenth century in Europe was relatively simple in its shapes, rich in colour for both men and women, and quite uniform across the Roman Catholic world as the Gothic style started its spread all over Europe in dress, architecture , and other arts .