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The contemporary music of Indonesia today is also popular amongst neighbouring countries, such as Malaysia, Singapore and Brunei. [2] In general, traditional music and songs of Indonesia compromises a strong beat and harmony with strong influence from Indian, Java, Arabic, Chinese and Malay classical music.
Ahmad Dhani — Rock singer/songwriter, composer and record producer who owner of label music Republik Cinta Management; Amara — Soul/country singer and personnel of vocal group Lingua; Andien — Jazz female singer; Andmesh Kamaleng — Male pop/R&B/jazz singer, songwriter and winner of the 2nd season of Rising Star Indonesia
Indonesian folk songs (6 P) Indonesian hip-hop songs (1 C) Indonesian pop songs (3 C, 5 P) ... Ibu Pertiwi (song) Indonesia Maharddhika; Indonesia Pusaka; Chan Mali ...
Dangdut (/ d ɑː ŋ ˈ d uː t /) is a genre of Indonesian folk music that is partly derived and fused from Hindustani, Arabic, and, to a lesser extent, Javanese, Malay, Minangkabau, Sundanese and local folk music. [1] [2] [3] Dangdut is the most popular musical genre in Indonesia [1] and very popular in other Maritime Southeast Asian ...
The last studio album recorded by the band was Masakra (eng. Massacre), inspired by modern heavy rock and trip-hop. Grzegorz Ciechowski's sudden cardiac death on December 22, 2001 interrupted the production of the next Republika album. Four finished tracks along with 15 live songs comprised a double-CD simply titled Republika.
Beyond its social implications, the popular music industry in Indonesia makes use of a new type of oral tradition made possible by the VCD. [22] By displaying song texts on screen and mentioning the songs' composers, legal VCDs serve as audiovisual "texts" for both national and regional pop music in Indonesia. [23]
Soleram or Suliram is one of the Indonesian folk songs that caught the international interest, notably since The Weavers (an American folk music quartet) recorded the song in 1949. Pete Seeger who was a member of The Weavers also performed the song. [16] [17] [9] and Miriam Makeba recorded a version in 1960. [18]
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