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The lyrical subject, lyrical speaker or lyrical I is the voice or person in charge of narrating the words of a poem or other lyrical work. [1] The lyrical subject is a conventional literary figure, historically associated with the author, although it is not necessarily the author who speaks for themselves in the subject.
Voice is an active, physical thing in oral poetry. It needs a speaker and a listener, a performer and an audience. It is a bodily creation that thrives in live connection. The voice is the mechanism by which a "poet's voice" comes alive. [1] Reciting a poem aloud the reciter comes to understand and then to be the 'voice' of the poem. [2]
Poetic Diction is a style of writing in poetry which encompasses vocabulary, phrasing, and grammatical usage. Along with syntax, poetic diction functions in the setting the tone, mood, and atmosphere of a poem to convey the poet's intention.
Narrative poetry is a form of poetry that tells a story, often using the voices of both a narrator and characters; the entire story is usually written in metered verse. Narrative poems do not need to rhyme. The poems that make up this genre may be short or long, and the story it relates to may be complex.
Spoken word is an oral poetic performance art that is based mainly on the poem as well as the performer's aesthetic qualities. It is a 20th-century continuation of an ancient oral artistic tradition that focuses on the aesthetics of recitation and word play, such as the performer's live intonation and voice inflection.
Lyric Poetry (1896) Henry Oliver Walker, in the Library of Congress's Thomas Jefferson Building.. Modern lyric poetry is a formal type of poetry which expresses personal emotions or feelings, typically spoken in the first person. [1]
Poetry analysis is the process of investigating the form of a poem, content, ... A voice out of the silence of the deep, A sound mysteriously multiplied
Rather than the poem representing the voice of the author, as in much lyric poetry, the speaker in Pound's persona poems is a made-up character with whom Pound did not completely identify. This allowed Pound to be satiric, even sarcastic, not only about the subject of the poems but about their speaker, although he sometimes appears to share the ...