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The main themes in Viking jewelry are patterns of nature and animals, increasing in abstraction as the time period progressed. [26] Later Viking jewelry also starts to exhibit simplistic geometric patterns. [27] The most intricate Viking work recovered is a set of two bands from the 6th century in Alleberg, Sweden. [26]
A chasse, châsse or box reliquary is a shape commonly used in medieval metalwork for reliquaries and other containers. To the modern eye the form resembles a house, though a tomb or church was more the intention, [ 1 ] with an oblong base, straight sides and two sloping top faces meeting at a central ridge, often marked by a raised strip and ...
Detail of an Iranian jewel box decorated by khatam. Khātam (Persian: خاتم) is an ancient Persian technique of inlaying.It is a version of marquetry where art forms are made by decorating the surface of wooden articles with delicate pieces of wood, bone and metal precisely-cut intricate geometric patterns.
An Italian jewelry casket, 1857, carved walnut, lined with red velvet. A casket [1] is a decorative box or container that is usually smaller than a chest and is typically decorated. In recent centuries they are often used as boxes for jewelry, but in earlier periods they were also used for keeping important documents and many other purposes. [2]
A resurgence of Celtic and medieval style Scottish jewellery occurred in the 19th century, [27] as did the popularisation of agate pieces, also known as "pebble jewellery". [28] During this period there was a rise in creation and wear of brooches and bracelets set with Scottish stones due to Queen Victoria's interest in agates, cairngorms ...
Research revealed that between the 12th and 13th centuries there was a medieval occupation at the site, officials said. The box of coins was an isolated deposit that dates to between 1180 and 1204 ...
Boxes made for the poorer snuff taker were more ordinary; popular and cheap boxes were made in papier-mâché and even potato-pulp, which made durable boxes that kept the snuff in good condition. Alloys that resembled gold or silver were developed in the 18th and 19th centuries such as the ersatz gold Pinchbeck and the silver look-alike ...
The unusually large size of the piece allows a wide range of the repertoire of popular scenes from different literary sources in French Gothic art to be shown, which display a variety of medieval attitudes to love and the role of women: "Themes such as lust and chastity, folly and wisdom are juxtaposed in a series of non-connected scenes". [5]
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