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The National Anthem of Guatemala (Spanish: Himno Nacional de Guatemala) [a] was an initiative of the government of General José María Reina Barrios. [b] Its music was composed by Rafael Álvarez Ovalle [] and its original lyrics written by Cuban poet and diplomat José Joaquín Palma, in the context of the cultural and industrial event Exposición Centroamericana of 1897.
The Centro Cultural Miguel Ángel Asturias, commonly called Teatro Nacional, is a cultural center in Guatemala City, Guatemala. It is located in the Centro Cívico (Civic Center) of the city and was built in the same place of the old Fuerte de San José. Its form, which emulates a seated jaguar, [1] stands out from the adjacent buildings.
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Dieter Lehnhoff, Creación musical en Guatemala. Guatemala: Editorial Galería Guatemala, 2005. [permanent dead link ] Dieter Lehnhoff, Rafael Antonio Castellanos: vida y obra de un músico guatemalteco. Guatemala City: Universidad Rafael Landívar, Instituto de Musicología, 1995. Alfred E. Lemmon, ed. Music from Eighteenth-Century ...
Pascual Abaj (alternatively written Pascual Ab'aj), [1] also known as Turcaj, [2] Turk'aj, [3] Turuk'aj and Turukaj, [4] is a pre-Columbian Maya idol at Chichicastenango that survived the Spanish conquest of Guatemala and which is still venerated by the local community.
A chart published by Record World credited "El Rey" as reaching number one in Mexico in 1974, [5] a year after Jiménez' death. "El Rey" remains a staple of Ranchera and traditional Mexican music. The song has been covered by various artists, including Vicente Fernández - often considered the most well-known version of "El Rey" - his son ...
San Pascualito (also known as San Pascualito Muerte and El Rey San Pascual) is a folk saint associated with Saint Paschal Baylon and venerated in Guatemala and the Mexican state of Chiapas. He is called "King of the Graveyard." [1] His veneration is associated with the curing of disease, and is related to the Latin American cult of death.
El libro de las efemérides (in Spanish). Vol. Tomo III. Guatemala: Tipografía Sánchez y de Guise. Melchor Toledo, Johann Estuardo (2011). El arte religioso de la Antigua Guatemala, 1773-1821; crónica de la emigración de sus imágenes (PDF). tesis doctoral en Historia del Arte (in Spanish).