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Digital technologies are acting as integrating and enabling technologies for the economy and profoundly affect society; changes in technology use have damaged the environment but also have the potential to support environmental sustainability. [5] [6]
Recent changes in ICT use globally have damaged the environment (in terms of waste and energy consumption etc.) but also have the potential to support environmental sustainability activities, [2] such as the targets set within the Millennium Development Goal (MDG) number 7 (MDG7) to "ensure environmental sustainability".
The effects of technology on the environment are both obvious and subtle. The more obvious effects include the depletion of nonrenewable natural resources (such as petroleum, coal, ores), and the added pollution of air, water, and land.
Environmental technology (envirotech) is the use of engineering and technological approaches to understand and address issues that affect the environment with the aim of fostering environmental improvement. It involves the application of science and technology in the process of addressing environmental challenges through environmental ...
Environmental technology, describes an array of technologies which seek to reverse, mitigate or halt environmental damage to the environment. This can include measures to halt pollution through environmental regulations, capture and storage of pollution, or using pollutant byproducts in other industries. [ 81 ]
This has also shown that the technology has been used to minimize energy use, society always wants new technology no matter if it affects the environment good or not, but ICT has been cutting back and putting out better technology for our environment while still being able to communicate through society. [citation needed] [11] [12]
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Media ecology theory is the study of media, technology, and communication and how they affect human environments. [1] The theoretical concepts were proposed by Marshall McLuhan in 1964, [2] while the term media ecology was first formally introduced by Neil Postman in 1968.