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Images from a 14th-century manuscript of Tacuinum Sanitatis, a treatise on healthful living, show the clothing of working people: men wear short or knee-length tunics and thick shoes, and women wear knotted kerchiefs and gowns with aprons. For hot summer work, men wear shirts and braies and women wear chemises.
A history of costume. Translated by Alexander K. Dallas. New York: Dover Publications. ISBN 978-0-486-21030-8. Koslin, Désirée (2009). "Value-Added Stuffs and Shifts in Meaning: An Overview and Case-Study of Medieval Textile Paradigms". In Désirée G. Koslin; Janet E. Snyder (eds.). Encountering medieval textiles and dress: Objects, texts ...
Cieszyn folk costume, also known as Valachian, is a Silesian folk costume, which used to be worn within majority of the area of Cieszyn Silesia, but mostly by Cieszyn Vlachs. Taking into consideration ornamentation, cutting and materials, it can be observed that it is a replica of historical costumes of the Renaissance . [ 1 ]
Charles V, king of Spain, Naples, and Sicily and Holy Roman Emperor, handed over the kingdom of Spain to his son Philip II and the Empire to his brother Ferdinand I in 1558, ending the domination of western Europe by a single court, but the Spanish taste for sombre richness of dress would dominate fashion for the remainder of the century.
The costume of Oltenia peasant women was composed of cotton shirts sewn with altițe, striped catrințe and bete. Like them, patronesses wore headlong handkerchiefs (Romanian: maramă) of floss silk or flax, that hung on the back. [5]
The Visual History of Costume: The Sixteenth Century. 1983 edition (ISBN 0-89676-076-6), 1994 reprint (ISBN 0-7134-6828-9). Favier, Jean, Gold and Spices: The Rise of Commerce in the Middle Ages, London, Holmes and Meier, 1998, ISBN 0-8419-1232-7. Hayward, Maria: Dress at the Court of King Henry VIII, Maney Publishing, 2007, ISBN 1-904350-70-4
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