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Chinese calligraphy is the writing of Chinese characters as an art form, combining purely visual art and interpretation of the literary meaning. This type of expression has been widely practiced in China and has been generally held in high esteem across East Asia . [ 1 ]
Nüshu (𛆁𛈬 ; simplified Chinese: 女书; traditional Chinese: 女書; pinyin: Nǚshū; [ny˨˩˨ʂu˦]; ' women's script ') is a syllabic script derived from Chinese characters that was used by ethnic Yao women [1] for several centuries in Jiangyong, a county within the southern Chinese province of Hunan. From the early 21st century ...
Written Chinese is a writing system that uses Chinese characters and other symbols to represent the Chinese languages. Chinese characters do not directly represent pronunciation, unlike letters in an alphabet or syllabograms in a syllabary .
Munjado is a Korean decorative style of rendering Chinese characters in which brush strokes are replaced with representational paintings that provide commentary on the meaning. [2] The characters thus rendered are traditionally those for the eight Confucian virtues of humility, honor, duty, propriety, trust, loyalty, brotherly love, and filial ...
Written vernacular Chinese, also known as baihua, comprises forms of written Chinese based on the vernacular varieties of the language spoken throughout China. It is contrasted with Literary Chinese, which was the predominant written form of the language in imperial China until the early 20th century.
If one were to write the tidily written variety of early period semi-cursive script in a more dignified fashion and were to use consistently the pause technique [(頓; dùn)], used to reinforce the beginning or ending of a stroke when ending horizontal strokes, a practice which already appears in early period semi-cursive script, and further ...
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Semi-cursive script, also known as running script, is a style of Chinese calligraphy that emerged during the Han dynasty (202 BC – 220 AD). The style is used to write Chinese characters and is abbreviated slightly where a character's strokes are permitted to be visibly connected as the writer writes, but not to the extent of the cursive style. [2]