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Amor sin Maquillaje (Love without Makeup) is a mini novela that was shown in 2007. It is a production of Rosy Ocampo, who also produced La Fea Mas Bella. It stars Marlene Favela, Sergio Goyri, Lucía Méndez and Carmen Montejo. It was a tribute to the 50 years of telenovelas in Mexico.
El amor tiene cara de mujer (Love has woman's face) is a Mexican soap opera, produced by Valentín Pimstein for Teleprogramas Acapulco, SA in 1971. Starring leading actresses Silvia Derbez, Irma Lozano, Irán Eory, and Lucy Gallardo, it features an original story by Nené Cascallar. It was the second longest Mexican telenovela in history. Since ...
In 1966 performed a version of this soap opera, called in Brazil, O amor tem cara de mulher. [2] In 1971, Televisa performed this soap opera under the same name, Starring by Silvia Derbez, Irma Lozano, Irán Eory and Lucy Gallardo. In 1973, it took to film in Mexico, directed by Tito Davidson. [3]
"Corazón Sin Cara" (transl. "Love is Blind," literally "Heart Without a Face") is a bachata song by American singer-songwriter Prince Royce. It was written and composed by Prince Royce, and produced by Andrés Hidalgo and Sergio George. The song's lyrical content deals with the self-esteem of girls and their appearance.
El amor no tiene receta (English: Love Has No Recipe) [1] is a Mexican telenovela produced by Juan Osorio for TelevisaUnivision. [2] The series stars Claudia Martín and Daniel Elbittar . [ 3 ] It aired on Las Estrellas from 19 February 2024 to 28 June 2024.
Amar sin Límites (English: Limitless Love) is a Mexican telenovela produced by Angelli Nesma Medina for Televisa in 2006. [1] This limited-run serial is a remake of the hit 2003 Argentine telenovela Resistiré; it is the first such remake, as a second adaptation, Watch Over Me, was created for MyNetworkTV in the United States and debuted in December 2006.
La crítica de arte en el siglo XIX. 3 vols. Mexico City: UNAM 1964. Rodríguez Prampolini, Ida. "La figura del indio en la pintura del siglo XIX, fondo ideológico," Arte, Sociedad e Ideología. 3 (Oct-Nov. 1977). Romero de Terreros, Manuel. Catálogos de las Exposiciones de la Antigua Academia de San Carlos, 1850–1898. Mexico City: UNAM-IIE ...
The Golden Age of Argentine cinema (Spanish: Época de Oro or Edad de Oro del cine argentino), [2] [3] sometimes known interchangeably as the broader classical or classical-industrial period (Spanish: período clásico-industrial), [4] [5] is an era in the history of the cinema of Argentina that began in the 1930s and lasted until the 1940s or 1950s, depending on the definition, [note 1 ...