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Animal-made art consists of works by non-human animals, that have been considered by humans to be artistic, including visual works, music, photography, and videography. Some of these are created naturally by animals, often as courtship displays , while others are created with human involvement.
The art of the Middle Ages was mainly religious, reflecting the relationship between God and man, created in His image. The animal often appears confronted or dominated by man, but a second current of thought stemming from Saint Paul and Aristotle, which developed from the 12th century onwards, includes animals and humans in the same community of living creatures.
"Animal style" deer, (8-7th century BC) Arzhan kurgan, Tuva. Ordos culture, belt buckle, 3rd–1st century BC. Animal style art is an approach to decoration found from Ordos culture to Northern Europe in the early Iron Age, and the barbarian art of the Migration Period, characterized by its emphasis on animal motifs.
Huichol art was first documented in the very late 19th century by Carl Lumholtz. This includes the making of beaded earrings, necklaces, anklets and even more. [1] What mostly links the yarn paintings and beaded objects made today is the continuance of the traditional patterns used for centuries to represent and communicate with the gods. [2]
The art of the Upper Paleolithic in Europe achieved remarkably lifelike depictions of animals. Ancient Egyptian art developed conventions involving both stylization and idealization. Ancient Greek art is commonly recognized as having made great progress in the
The "Animal Style" art of the Scythians was a variant of the art of the Eurasian Steppe nomads, which itself initially developed under the Sakas in the eastern Eurasian steppes of Central Asia and Siberia during the 9th century BC (art of the Arzhan culture, dated to 800 BC), [28] under the partial influence of ancient Chinese art [23] [29] and ...
Media in category "Animals in art" This category contains only the following file. Faroe Coat of arms 3.png 294 × 293; 12 KB
[27] [28] For example, most extinct animals' coloration and patterning are unknown from fossil evidence, but these can be plausibly restored in illustration based on known aspects of the animal's environment and behavior, as well as inference based on function such as thermoregulation, species recognition, and camouflage.