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"Goodbye to Love" is a song composed by Richard Carpenter and John Bettis. It was released by the Carpenters in 1972. On the Close to You: Remembering The Carpenters documentary, Tony Peluso stated that this was one of the first power ballads , if not the first, to have a fuzz guitar solo.
In 1972, Richard Carpenter and John Bettis had written a new song, "Goodbye to Love", for the Carpenters. While the Carpenters were working on the song, Richard decided that there should be a fuzz guitar solo on it. He recalled Tony Peluso from a time when Mark Lindsay and Instant Joy opened for the Carpenters. [3]
Karen Carpenter solo All I Can Do: Offering/Ticket to Ride: 1969: 1969: Bettis, Carpenter: All of My Life: Offering/Ticket to Ride: 1969: 1969: Carpenter: All Those Years Ago: Pianist, Arranger, Composer, Conductor: 1998: 1998: Carpenter, Oland: Richard Carpenter solo All You Get from Love Is a Love Song: Passage: 1977: 1977: Eaton: An Old ...
The album and its singles were also successful internationally; "Goodbye to Love" and "I Won't Last a Day Without You" made the top ten on the UK Singles Chart as a double A-side, and "Top of the World" made the Oricon singles chart in Japan on three occasions (number 21 in 1972, number 52 in 1973, and number 83 in 1996). [citation needed]
The compilation include a re-recorded single version of "Top of the World" and newly re-recorded "Ticket to Ride" specially for the compilation.It also includes a number of musical introductions and segues between the songs "Superstar", "Rainy Days and Mondays" and "Goodbye to Love", the latter two were sped up in pitch, much to the regret of Richard in subsequent years.
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The documentary itself runs for approximately 60 minutes, with a 12-minute encore after the end credits featuring a performance of "(A Place To) Hideaway", the Carpenters' commercial for Morton's Potato Chips, and their performance of "Ave Maria" for the 1978 A Christmas Portrait special. The rest of the 100-minute total running time includes ...
After "Goodbye to Love" had been released, attitudes towards the duo changed slightly. Ken Barnes, writing in Phonograph said "It's certainly less than revolutionary to admit you like the Carpenters these days – in 'rock' circles, if you recall, it formerly bordered on heresy. Everybody must be won over by now."
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