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Henri Émile Benoît Matisse (French: [ɑ̃ʁi emil bənwa matis]; 31 December 1869 – 3 November 1954) was a French visual artist, known for both his use of colour and his fluid and original draughtsmanship.
A still life, the painting features "Matisse's own plants, his own garden furniture, and his own fish tank." [2] Additionally, Matisse's "depiction of space" in the piece creates a tension. The goldfish can be seen from two different angles simultaneously: from the front, where the viewer can immediately recognise them, and from above, where ...
In March 1909, Matisse painted a preliminary version of this work, known as Dance (I). [3] It was a compositional study and uses paler colors and less detail. [4] The painting was highly regarded by the artist who once called it "the overpowering climax of luminosity"; it is also featured in the background of Matisse's Nasturtiums with the Painting "Dance I", (1912).
Seated Nude (French - Nu assis) or Pink Nude (Nu rose) is a 1909 oil on canvas painting by Henri Matisse. [1] It is now in the Museum of Grenoble, to which it was left in the 1923 Agutte-Sembat legacy. [2]
Self-Portrait in a Striped T-shirt 1906, Statens Museum for Kunst, Copenhagen, Denmark.. This is an incomplete list of works by the French modern artist Henri Matisse (31 December 1869 – 3 November 1954).
Luxe, Calme et Volupté (French pronunciation: [lyks kalm e vɔlypte]) is a 1904 oil painting by the French artist Henri Matisse.Both foundational in the oeuvre of Matisse and a pivotal work in the history of art, Luxe, Calme et Volupté is considered the starting point of Fauvism. [1]
The Back Series is a series of four bas-relief sculptures, by Henri Matisse. They are Matisse's largest and most monumental sculptures. The plaster originals are housed in the Musée Matisse in Le Cateau-Cambrésis, France. They were modeled between 1909 and 1930.
Young Woman Lying on a White Fur (French - Jeune Femme à la pelisse blanche) is a 1944 oil on canvas painting by Henri Matisse. [1]It was given in lieu of tax to the Musée National d'Art Moderne in Paris in 2001 [2] and placed at the Museum of Grenoble, which already had an important collection of Matisse's 1920s works collected by its curator Andry-Farcy.
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