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During 1952, the Fender 5B6 Bassman amplifier was introduced as a combo amplifier cabinet that included the amplifier chassis combined with one 15" speaker. The 1952–1954 [1] 5B6 Bassman amplifiers had two 6SC7 or 6SL7GT pre-amp tubes, two 5881 power tubes and a single 5U4G rectifier tube. It was designed to generate 26 watts at an 8-ohm ...
The Concert amp was introduced as a replacement for the 4-10 tweed Bassman amplifier. Due to the popularity of the Bassman, both amplifiers were produced concurrently during 1960. Unlike most of the other Professional Series amps however, the Concert (along with Fender Vibrasonic) were not previously offered as tweed-covered models in the 1950s ...
The Fender Bassman was the first amplifier to standardize the tone stack design. Dubbed the 5F6-A from the Fender model number of the amp which first used it, this tone stack offered the performer the ability to control the amplifier's low, mid, and high frequency response independently.
The Sunn used a 150-watt amp with "four 12AX7WA tubes, followed by two 12AX7A tubes, and powered by four 6L6GC tubes". [ 4 ] The Gallien-Krueger 800RB was a solid state bass amplifier head introduced in 1983 that was liked by bassists for its loud, clean sound and durable construction.
The tube amps in the series feature hand-wired eyelet board construction and are also becoming sought-after collectors items, due to the design and build quality. The range included one small tube-driven bass amp, the Bassman 20. There were also some solid-state amplifiers using the II moniker, such as the Harvard Reverb II. Other solid-state ...
The 6550 is a beam power tube designed by Tung-Sol for application as an audio frequency power amplifier and introduced in 1954. [ 136 ] [ 137 ] Tung-Sol literature refers to the 6550 variously as a beam power amplifier, power pentode and beam pentode, with the latter two names viewing the beam confining structure as a fifth electrode.
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