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Jason Statham (/ ˈ s t eɪ θ əm / STAY-thəm; born 26 July 1967) is an English actor and producer. He is known for portraying tough, gritty, or violent characters in various action thriller films, and has been credited for leading the resurgence of action films during the 2000s and 2010s. [ 1 ]
Ore-Ida (/ ɔːr ˈ aɪ d ə /) is an American brand of potato-based frozen foods currently produced and distributed by Kraft Heinz's, H.J. Heinz Company Brands LLC. based in Pittsburgh, Pennsylvania. Ore-Ida's primary production facility is located in Ontario, Oregon, near the Idaho border where the company was originally founded in 1949. [3] [4]
The Women's Challenge bicycle race (originally known as the Ore-Ida Women's Challenge as the lead sponsor was the Ore-Ida brand of frozen potato products) was held annually in the western United States in southern Idaho, beginning in 1984 until its demise in 2002.
Sylvester Stallone originally developed an adaptation of the Chuck Dixon novel Levon's Trade as a television series with Balboa Productions. [2] The project changed into a film that was up for sale at the 2023 American Film Market, where the film was first announced to have David Ayer attached to direct and Jason Statham to star. [3]
[27] Richard Roeper of the Chicago Sun-Times gave the film 2 out of 4 stars, writing: "Tired, uninspired and meandering, Wrath of Man is a step backward for Ritchie, a step sideways for the stoic-for-life Jason Statham (reteaming with Ritchie for the first time in 16 years) and a misstep for anyone who invests their time and money on 118 ...
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In the Name of the King: A Dungeon Siege Tale (also known as Dungeon Siege: In the Name of the King, or simply In the Name of the King), is a 2007 German-American action-fantasy film directed by Uwe Boll and starring Jason Statham, Claire Forlani, Leelee Sobieski, John Rhys-Davies, Ron Perlman and Ray Liotta.
Jason Statham and much of the cast joined in August and September 2016. [10] The film is an American and Chinese co-production. [11] It was considered a full co-production under Chinese regulations, and it was not subject to the same quota system and revenue sharing agreements usually applied to imported films. [12]