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Placed in front of the unused fireplace, the decorated screen improves the appearance of a room. [1] Screens are decorated with embroidery, papier maché, painted wood or perhaps stained glass; the frame and feet might be carved. [2] The pole screen also began to appear in the 18th century. It is a smaller screen placed on a vertical pole which ...
Fireplace screens are essential for keeping flames at bay, and in some cases—as happened in this James Huniford–designed New York cottage—they can provide the ideal opportunity for tasteful ...
A reredos (/ ˈ r ɪər ˌ d ɒ s, ˈ r ɪər ɪ-, ˈ r ɛ r ɪ-/ REER-dos, REER-ih-, RERR-ih-) is a large altarpiece, a screen, or decoration placed behind the altar in a church. It often includes religious images. The term reredos may also be used for similar structures, if elaborate, in secular architecture, for example very grand carved ...
She later completed her training with the embroidery artist Blanche Ory-Robin, who introduced her to needle painting. [ 2 ] Desvallières began creating works of art when still young, regularly exhibiting at the Salon d'Automne , where she presented a fireplace screen in 1912 and velvet curtains in 1913.
Christmas decor trends have their own way of reflecting the spirit of the times. Take the 1800s: Amid an indulgent obsession with gold finishes and regal embellishments, the Victorian Christmas ...
Vuillard, like other members of the Nabis, believed that decorative art was equal to traditional easel painting. Vuillard created theatrical sets and programs, decorative murals and painted screens, prints, designs for stained glass windows, and ceramic plates. [14]
Noted for his wallpaper, fireplaces and ornate plasterwork, Shuffrey was thought the equal of William Morris in his creativity and skill as a craftsman. [2] His output is often found in decorative schemes with William Morris, Edward Ould, William De Morgan, and other preeminent Arts & Crafts and late Pre-Raphaelite decorative artists of the day ...
A six-panel byōbu from the 17th century Pair of screens with a leopard, tiger and dragon by Kanō Sanraku, 17th century, each 1.78 m × 3.56 m (5.8 ft × 11.7 ft), displayed flat Left panel of Irises (燕子花図, kakitsubata-zu) by Ogata Kōrin, 1702 Left panel of the Shōrin-zu byōbu (松林図 屏風, Pine Trees screen) by Hasegawa Tōhaku, c. 1595 Byōbu depicting Osaka from the early ...
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