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Sam must go to school. – shall: This shall not be viewed kindly. You shall not pass. – should: That should be surprising. You should stop that. – will: She will try to lie. – – would: Nothing would accomplish that. – – ought That ought to be correct. You ought to be kind.
The English modal auxiliary verbs are a subset of the English auxiliary verbs used mostly to express modality, properties such as possibility and obligation. [a] They can most easily be distinguished from other verbs by their defectiveness (they do not have participles or plain forms [b]) and by their lack of the ending ‑(e)s for the third-person singular.
When would and should function as past tenses of will and shall, their usage tends to correspond to that of the latter verbs (would is used analogously to will, and should to shall). Thus would and should can be used with " future-in-the-past " meaning, to express what was expected to happen, or what in fact did happen, after some past time of ...
shall not (archaic) shan’ shall not shan’t: shall not she’d: she had / she would she’ll: she shall / she will she’s: she has / she is she'd'nt've (informal) she did not have / she would not have should’ve: should have shouldn’t: should not shouldn’t’ve (informal) should not have somebody’s: somebody has / somebody is someone’s
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"Should I Stay or Should I Go" is a song by the English punk rock band the Clash from their fifth studio album Combat Rock, written in 1981 and featuring Mick Jones on lead vocals. It was released in 1982 as a double A-sided single alongside " Straight to Hell ", performing modestly on global music charts.
Simple constructions normally denote a single action (perfective aspect), as in Brutus killed Caesar, a repeated action (habitual aspect), as in I go to school, or a relatively permanent state, as in We live in Dallas. They may also denote a temporary state (imperfective aspect), in the case of stative verbs that do not use progressive forms ...
This quotation was voted the number one movie line of all time by the American Film Institute in 2005. [4] However, Marlon Brando was critical of Gable's delivery of the line, commenting—in the audio recordings distributed by Listen to Me Marlon (2015)—that "When an actor takes a little too long as he's walking to the door, you know he's gonna stop and turn around and say, 'Frankly, my ...