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On the review aggregator website Rotten Tomatoes, The Purple Rose of Cairo holds an approval rating of 93%, based on 41 reviews, with an average score of 8/10. The website's critics consensus reads, "Lighthearted and sweet, The Purple Rose of Cairo stands as one of Woody Allen's more inventive—and enchantingly whimsical—pictures."
The Purple Rose Theatre Company is a 501(c) non-profit regional theater located in Chelsea, Michigan.It was founded in 1991 [1] by actor and playwright Jeff Daniels. [2] Its name comes from the 1985 film The Purple Rose of Cairo, [3] which starred Daniels and for which he earned his first Golden Globe nomination.
Zelig is a 1983 American satirical mockumentary comedy film written, directed by and starring Woody Allen as Leonard Zelig, a nondescript enigma, who, apparently out of his desire to fit in and be liked, unwittingly takes on the characteristics of strong personalities around him.
The Purple Rose of Cairo – Woody Allen. Back to the Future – Bob Gale and Robert Zemeckis; Out of Africa – Kurt Luedtke; Prizzi's Honor – Richard Condon and Janet Roach; Witness – William Kelley and Earl W. Wallace; Best Original Score Best Original Song; Out of Africa – John Barry. The Color Purple – Quincy Jones; White Nights ...
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Robert Greenhut and Woody Allen's The Purple Rose of Cairo won awards for Best Film and Original Screenplay. [3] William Hurt and Peggy Ashcroft took home Best Actor and Actress, whilst Denholm Elliott and Rosanna Arquette won in the supporting categories. The ceremony was hosted by Michael Aspel for the second time.
Beginning in 1985, Akers appeared in such feature films as Woody Allen's The Purple Rose of Cairo (as a celluloid chanteuse), and in Heartburn (as the mistress of Jack Nicholson's character). She appeared on Broadway in Grand Hotel, a musical adaptation of the novel and film, scored by Robert Wright, George Forrest, and Maury Yeston.
Sherlock Jr. was a major influence on Woody Allen's The Purple Rose of Cairo (1985), in which a character walks out of a movie and into real life. [2] Forty minutes into the film, Buster jams on the brakes of the car he is driving, causing the chassis to stop and the body to keep going, a gag reused in the James Bond film The Living Daylights ...
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