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  2. Lee Quiñones - Wikipedia

    en.wikipedia.org/wiki/Lee_Quiñones

    Also started drawing at the age of five, and started doing subway graffiti in 1974. By 1976, Lee was creating huge murals of graffiti art across the subway system. As a subway graffiti artist, Lee almost exclusively painted whole cars, all together about 125 cars.

  3. Character (graffiti) - Wikipedia

    en.wikipedia.org/wiki/Character_(graffiti)

    Some graffiti characters evolve from drawing faces inside letters, which then develop into more complex characters. [9] Characters may be used as substitutes for individual letters. [ 5 ] [ 10 ] There is usually a clear connection between a writers handstyle and the way they draw their character(s).

  4. Stencil graffiti - Wikipedia

    en.wikipedia.org/wiki/Stencil_graffiti

    Stencil graffiti is a form of graffiti that makes use of stencils made out of paper, cardboard, or other media to create an image or text that is easily reproducible. The desired design is cut out of the selected medium and then the image is transferred to a surface through the use of spray paint or roll-on paint.

  5. List of street artists - Wikipedia

    en.wikipedia.org/wiki/List_of_street_artists

    Guy Denning (born Bristol) – stencil graffiti, paste-up, painting; Ben Eine – street art, alphabet letters; Inkie (Bristol and London) – graffiti, street art, grap design; Paul Insect (London) – graffiti, stencil graffiti, street art; Alex Martinez (Notting Hill, London) – graffiti, street art; Adam Neate (London) – art on cardboard

  6. Throw up (graffiti) - Wikipedia

    en.wikipedia.org/wiki/Throw_up_(graffiti)

    Throw ups are typically the writer's moniker in large "bubble-letters", with or without a fill. Throw ups without fills are called hollows. [3] Throw ups are sometimes done using only the first two or three letters of the moniker in a throw up to quicken the process, especially if the writer uses a longer name.

  7. Contour drawing - Wikipedia

    en.wikipedia.org/wiki/Contour_drawing

    In a continuous-line drawing, the artist looks both at the subject and the paper, moving the medium over the paper, and creating a silhouette of the object. Like blind contour drawing, contour drawing is an artful experience that relies more on sensation than perception; it's important to be guided by instinct. [2]

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