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In literature, the paradox is an anomalous juxtaposition of incongruous ideas for the sake of striking exposition or unexpected insight. It functions as a method of literary composition and analysis that involves examining apparently contradictory statements and drawing conclusions either to reconcile them or to explain their presence. [1]
Unity of opposites" allows for a balance of contradiction. A most basic example of the cycle of contradiction is life and death. There are contradictions that can be found in mechanics, mathematics, science, social life, etc. [ 10 ] Deborin claims that there is only difference found in the world.
One example occurs in the liar paradox, which is commonly formulated as the self-referential statement "This statement is false". [16] Another example occurs in the barber paradox, which poses the question of whether a barber who shaves all and only those who do not shave themselves will shave himself. In this paradox, the barber is a self ...
Lenin's notes on dialectics played an influential role in Soviet and Chinese studies on contradiction and the unity of opposites. The Notebooks are often contrasted by scholars with Lenin's Materialism and Empirio-criticism .
Several fragments seem to relate to the unity of opposites. [45] For example: "The straight and the crooked path of the fuller's comb is one and the same"; [af] "The way up is the way down"; [ag] "Beginning and end, on a circle's circumference, are common"; [ah] and "Thou shouldst unite things whole and things not whole, that which tends to ...
In "Levels and Opposites: Structure in Poetry", Randall Jarrell says that "a successful poem starts in one position and ends at a very different one, often a contradictory or opposite one; yet there has been no break in the unity of the poem". [13] Such a transition is executed by the turn.
The nonprofits handing out the pipes say it’s about “harm reduction” — effectively an “if you can’t beat ‘em, join ‘em” approach to the drug crisis.
The contrast of white and black (light and darkness, day and night) has a long tradition of metaphorical usage, traceable to the Ancient Near East, and explicitly in the Pythagorean Table of Opposites. In Western culture as well as in Confucianism, the contrast symbolizes the moral dichotomy of good and evil.