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For example, a 28 mm lens delivers a moderately wide-angle FOV on a 35 mm format full-frame camera, but on a camera with a 1.6 crop factor, an image made with the same lens will have the same field of view that a full-frame camera would make with a ~45 mm lens (28 × 1.6 = 44.8). This narrowing of the FOV is a disadvantage to photographers when ...
However, this specification is insufficient to compare lenses for different cameras, because field of view also depends on sensor size. For example, a 50 mm lens mounted on a Nikon D3 (a full-frame camera) provides approximately the same field of view as a 32 mm lens mounted on a Sony α100 (an APS-C camera). Conversely, the same lens can ...
For example, a 24 mm lens on a camera with a crop factor of 1.5 has a 62° diagonal angle of view, the same as that of a 36 mm lens on a 35 mm film camera. On a full-frame digital camera, the 24 mm lens has the same 84° angle of view as it would on a 35 mm film camera.
Equivalent depth of field can be calculated the same way using the crop factor. [3] For example, a 50mm f/2 lens on a 2× crop factor Micro Four Thirds camera would be equivalent to a 100 mm (= 2×50 mm) f/4 (= f/(2×2)) lens on a full-frame digital SLR in terms of field of view, depth of field, total light gathered, [4] and diffraction effects ...
Use of this lens on a full-frame (FX) sensor will likely cause vignetting. All full-frame Nikon DSLRs are able to detect DX lenses and crop the image accordingly by default. However, the viewfinder view is likely to be constricted. Sigma DG/Tamron Di/Tokina FX: A lens for fullframe DSLRs (FX) or analog film. No special designation for Nikon NIKKOR.
Nikon 1 V1 with 10-30mm. The Nikon CX format is an image sensor format by Nikon for the Nikon 1 series MILCs featuring the Nikon 1 mount bayonet and lenses. With 2.7 times crop factor being approximately 13.2 x 8.8mm 2 [1] (also known as 1"-type) it considerably increases the depth of field by 2.90 stops (2.7 times crop factor) compared to a 35mm FX camera with the same angle of view.
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