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Guastavino tile vaulting in the City Hall station of the New York City Subway Guastavino ceiling tiles on the south arcade of the Manhattan Municipal Building. The Guastavino tile arch system is a version of Catalan vault introduced to the United States in 1885 by Spanish architect and builder Rafael Guastavino (1842–1908). [1]
Because large lancet windows, such as those lighting the aisles of a church, may be wide in comparison to a single light in a traceried window, they often have armatures of wood or iron to support the glass. The arch of a lancet opening is often equilateral, but sometimes is much more acute, and when employed in the arcade of a choir apse, such ...
Semicircular arch (Pianella bridge, Corse-du-Sud, 15th century) In architecture, a semicircular arch is an arch with an intrados (inner surface) shaped like a semicircle. [1] [2] This type of arch was adopted and very widely used by the Romans, thus becoming permanently associated with Roman architecture.
Romanesque architecture is an architectural style of medieval Europe that was predominant in the 11th and 12th centuries. [1] The style eventually developed into the Gothic style with the shape of the arches providing a simple distinction: the Romanesque is characterized by semicircular arches, while the Gothic is marked by the pointed arches.
Most domestic buildings of the Romanesque period were built of wood, or partly of wood. In Scandinavian countries, buildings were often entirely of wood, while in other parts of Europe, buildings were "half-timbered", constructed with timber frames, the spaces filled with rubble, wattle and daub, or other materials which were then plastered over. [10]
A proscenium (Ancient Greek: προσκήνιον, proskḗnion) is the metaphorical vertical plane of space in a theatre, usually surrounded on the top and sides by a physical proscenium arch (whether or not truly "arched") and on the bottom by the stage floor itself, which serves as the frame into which the audience observes from a more or ...
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