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Cats is a sung-through musical with music by Andrew Lloyd Webber.It is based on the 1939 poetry collection Old Possum's Book of Practical Cats by T. S. Eliot.The musical tells the story of a tribe of cats called the Jellicles and the night they make the "Jellicle choice" by deciding which cat will ascend to the Heaviside Layer and come back to a new life.
"Memory" is a show tune composed by Andrew Lloyd Webber, with lyrics by Trevor Nunn based on poems by T. S. Eliot. It was written for the 1981 musical Cats, where it is sung primarily by the character Grizabella as a melancholic remembrance of her glamorous past and as a plea for acceptance.
Old Possum's Book of Practical Cats (1939) is a collection of whimsical light poems by T. S. Eliot about feline psychology and sociology, published by Faber and Faber. It serves as the basis for Andrew Lloyd Webber's 1981 musical Cats. Eliot wrote the poems in the 1930s and included them, under his assumed name "Old Possum", in letters to his ...
In Cats, "The Awefull Battle of the Pekes and the Pollicles" is performed in the time signature 6 8 as part of a play within the musical.It is sung by Munkustrap and describes a legendary battle between two neighbouring dog tribes, the Pekes and the Pollicles, who bark "until you could hear them all over the park".
"Cat's in the Cradle" is a folk rock song by American singer-songwriter Harry Chapin, from his fourth studio album, Verities & Balderdash (1974). The single topped the US Billboard Hot 100 in December 1974. As Chapin's only number-one song, it became the best known of his work and a staple for folk rock music.
The Poems of T.S. Eliot, volume 1 (Collected & Uncollected Poems) and volume 2 (Practical Cats & Further Verses), edited by Christopher Ricks and Jim McCue (2015), Faber & Faber; Selected Essays (1932); enlarged (1960) The Letters of T. S. Eliot, edited by Valerie Eliot and Hugh Haughton, Volume 1: 1898–1922 (1988, revised 2009)
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All tracks written by T. S. Eliot and Andrew Lloyd Webber, with any additional writers noted. [1] In the later Polydor reissue of the recording, the third track on disc two is incorrectly listed as containing "The Ballad of Billy McCaw", a duet based on an unpublished poem by Eliot that was used in the original London production.