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The most common texture in Western music: melody and accompaniment. Multiple voices of which one, the melody, stands out prominently and the others form a background of harmonic accompaniment. If all the parts have much the same rhythm, the homophonic texture can also be described as homorhythmic.
The session tapes preserve the complete, unedited recordings, which were originally captured and mixed in stereo. These analog recordings were carefully transferred to high-resolution digital format at 192 kHz/24-bit from the original 2-inch, 16-track stereo masters. [7]
High-resolution audio (high-definition audio or HD audio) is a term for audio files with greater than 44.1 kHz sample rate or higher than 16-bit audio bit depth. It commonly refers to 96 or 192 kHz sample rates. However, 44.1 kHz/24-bit, 48 kHz/24-bit and 88.2 kHz/24-bit recordings also exist that are labeled HD audio.
Ligeti saw permeability and impermeability of groups, structures, and textures in serial music as substitutes for the form-shaping function of melodic lines, motifs, and harmonies in older styles. Some textures could be layered and juxtaposed; some musical structures will mix with others seamlessly, while other structures will stand out. [20]
Texture (music) This page was last edited on 1 July 2016, at 16:45 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4.0 License ...
These categories are not exhaustive. A music platform, Gracenote, listed more than 2000 music genres (included by those created by ordinary music lovers, who are not involved within the music industry, these being said to be part of a 'folksonomy', i.e. a taxonomy created by non-experts).
Eno is the sole music credit, and he also wrote original music for the documentary. "1/1" is frequently used as background music on the US public radio program This American Life. "1/1" is used as background music in the 1986 film 9½ Weeks. [78] "1/1" features prominently in the opening scene of the 2009 motion picture The Lovely Bones. [79]
The Matrix: Music from the Motion Picture is one of the two 1999 soundtrack albums from the blockbuster film, The Matrix (the other being The Matrix: Original Motion Picture Score). The soundtrack included most of the tracks the film popularized such as Rob D 's " Clubbed to Death ", Rob Zombie 's " Dragula (Hot Rod Herman Remix) " and ...
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