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Miraculous Origin of Our Lady of Luján in the Year 1630, by Augusto Ballerini (1895).. The Luján image was made in Brazil and sent to Argentina. [1] Tradition holds that a settler ordered the terracotta image of the Immaculate Conception in 1630 because he intended to create a shrine in her honor to help reinvigorate the Catholic faith in Santiago del Estero, his region. [2]
On 8 September 1930, Pope Pius XI formally declared Our Lady of Lujan as the Patroness of Uruguay. The Papal document was signed by Cardinal Eugenio Pacelli, the future Pope Pius XII. [4] In 1962, the image was solemnly crowned by bishop Humberto Tonna . [2] Soon afterwards, Pope John XXIII declared her patron saint of Uruguay. [1]
This page was last edited on 3 August 2011, at 23:40 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike License 4.0; additional terms may ...
In 1887 was built the current temple; over its door reads the Latin expression Domus Dei nostri (English: House of Our God). [1] Nowadays it is the National Sanctuary of the Virgin of the Thirty-Three (Spanish: Santuario Nacional de la Virgen de los Treinta y Tres); the image of Our Lady of the Thirty-Three, patron saint of Uruguay, is ...
The Minor Basilica of Our Lady of Luján (Spanish: Basílica Menor de Nuestra Señora de Luján) is a Catholic church in Luján, Buenos Aires, Argentina. Built in Neogothic style between 1890 and 1935, it is dedicated to Our Lady of Luján , the patron saint of Argentina.
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Catedral Basílica de Mercedes-Luján ("Cathedral Basilica of Our Lady of Mercies") is a Catholic cathedral and minor basilica in Mercedes, Buenos Aires Province, Argentina. [1] It is the seat of the Archdiocese of Mercedes-Luján. It was built in 1904 in Gothic Revival style. It contains the remains of Don Saturnino Unzué and Doña Inés ...
While a number of Marian hymns are written in Latin and English, [29] there are nine notable Marian hymns with German lyrics included in the 2013 Gotteslob, listed below: " Den Herren will ich loben" (I want to praise the Lord), 1954 text by Maria Luise Thurmair based on the Magnificat, to a 1613 melody by Melchior Teschner