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China Year: President Republic of China (Taiwan) President People's Republic of China (Mainland China) 1949 Li Zongren (acting): Mao Zedong (Paramount leader: Himself) 1950
Second Manchu invasion of Korea: The Joseon king Injo of Joseon recognized Hong Taiji's Qing dynasty as the legitimate rulers of China. Song Yingxing published the Tiangong Kaiwu. 1638: The Peking Gazette first used moveable type. 1639: Xu Guangqi published a treatise on agriculture. Chen Hongshou arrived in Beijing. 1641: 8 March: Xu Xiake ...
People's Republic of China: Baak Doi leaves China in 1952 and relocates to Hong Kong. Mao Zedong and CCP evolved patriotic music into revolutionary music. Hong Kong: Continuation of Shidaiqu in Hong Kong. Republic of China / Taiwan: Development of Taiwanese mandopop. Native Hokkien pop phased out by Kuomintang in favor of mandopop.
In traditional Chinese historiography, various models of mythological founding rulers exist. [21] The relevancy of these figures to the earliest Chinese people is unknown, since most accounts of them were written from the Warring States period (c. 475–221 BCE) onwards. [22]
In the early 20th century, Chinese and Western music cultures slowly merged, driven by the external forces of art, to create a new style of Chinese music that was based on both cultures. Then, it was not until March 2, 1930, when the " League of Left-Wing Writers " was founded and its corresponding music criticism and music social activities ...
The term guoyue appeared in various ancient texts and had various different meanings before the 20th century. It was used as early as the Sui-Tang period to refer to court music or yayue. [5] [6] In the Music Record section of History of Liao, it was used to distinguish the music of the Khitan rulers from that of the Han Chinese. [7]
In the early 20th century after the end of Imperial China, there were major changes to traditional Chinese music as part of the New Culture Movement. Much of what Westerners and even Chinese now consider to be music in the traditional Chinese style can be dated to this period and is in fact less than 100 years old.
Political music in China (政治歌曲) consists of Patriotic Music (爱国歌曲) and Revolutionary Music (革命歌曲). It is an ideological music with political or nationalistic content, sometimes taking the form of a modernized Chinese traditional music written or adapted for some form of grand presentation with an orchestra.