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UGC was formerly also a leading UK cinema owner following the purchase of Richard Branson's Virgin Cinema Group, which it purchased in October 1999. [4] In December 2004, the business was sold to Blackstone Group and joined with Cine-UK to trade as Cineworld. [5] UGC's chain in the UK and Ireland consisted of: UK: 41 cinemas, 391 screens;
UGC (cinema operator) This page was last edited on 3 January 2022, at 19:58 (UTC). Text is available under the Creative Commons Attribution ...
In November 1988, Kinepolis Brussels was opened by Kinepolis as the first branch of the European chain, with 25 screens and 7,600 seats, [1] credited as being both the first and the then-largest cinema Megaplex in the world.
The cinema honoured Belgian director Jean Harlez in early 2014, when it screened Harlez' most famous film, Le Chantier des Gosses , for seven weeks. [ 4 ] In January 2024, as part of a program leading up to its acquisition of a new long lease on its premises 31 March 2024, Cinéma Nova opened its program with a screening of Le chantier des ...
Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles has garnered a cult following and praise from the film community. Filmmakers Todd Haynes, Gus Van Sant, and Céline Sciamma have drawn explicit influence from the film; [11] Van Sant named it an inspiration for his own similar films Gerry (2002) and Elephant (2003). [12]
The Brussels International Fantastic Film Festival (BIFFF), previously named Brussels International Festival of Fantastic Film (French: Festival international du film fantastique de Bruxelles, Dutch: Internationaal Festival van de Fantastische Film van Brussel) was created in 1983 as a venue for horror, thriller and science fiction films.
The Royal Park Theatre (French: Théâtre royal du Parc; Dutch: Koninklijk Parktheater) is a theatre in central Brussels, Belgium.It is located at 3, Rue de la Loi/Wetstraat, on the edge of Brussels Park, facing the Belgian House of Parliament (Palace of the Nation).
Vincendeau divides le jeune cinéma français into two broad trends: autobiographical works "descended from the New Wave ethos of a cinema ‘in the first person,’" [1] and works taking a "political turn." [1] Young French Cinema of the autobiographical variety, Vincendeau writes, was "epitomised – and encouraged – by the Arte series." [1]