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Traditionally the plate was copper, but now acetate, zinc, or plexiglas are also commonly used. Like etching, drypoint is easier to master than engraving for an artist trained in drawing because the technique of using the needle is closer to using a pencil than the engraver's burin.
Once applied the etching plate is removed from the hot-plate and allowed to cool which hardens the ground. After the ground has hardened the artist "smokes" the plate, classically with 3 beeswax tapers, applying the flame to the plate to darken the ground and make it easier to see what parts of the plate are exposed.
106 × 76 mm. B56. Virgin and Child Standing on a Crescent Moon. 1498–1500. Copper engraving. 107 × 77 mm. B30. The Man of Sorrows with Arms Outstretched. 1500.
After returning from World War I, Pescheret began experimenting with etching striking his first plate in 1926. [6] He was admitted to the Chicago Society of Etchers in 1928. By the 1920s he was attending the Art Institute of Chicago , studying interior design under French artist and muralist Albert François Fleury [ Wikidata ] . [ 7 ]
Daniel Hopfer (c. 1470 – 1536) was a German artist who is widely believed to have been the first to use etching in printmaking, at the end of the 15th century. [1] He also worked in woodcut.
Maurice R. Bebb. Maurice R. Bebb (1891–1986) (or M. R. Bebb as he signed his work) was a notable etcher and printmaker of the American Midwest, whose best-known subjects were birds native to Oklahoma and Minnesota, where he spent his time. Etching involves using copper plates on which an artist has etched or “bitten” his picture with acid.
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