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In traditional pure etching, a metal plate (usually of copper, zinc or steel) is covered with a waxy ground which is resistant to acid. [2] The artist then scratches off the ground with a pointed etching needle [3] where the artist wants a line to appear in the finished piece, exposing the bare metal.
106 × 76 mm. B56. Virgin and Child Standing on a Crescent Moon. 1498–1500. Copper engraving. 107 × 77 mm. B30. The Man of Sorrows with Arms Outstretched. 1500.
In Niépce's time, it was used by artists as an acid-resistant coating on copper plates for making etchings. The artist scratched a drawing through the coating, then bathed the plate in acid to etch the exposed areas, then removed the coating with a solvent and used the plate to print ink copies of the drawing onto paper.
Daniel Hopfer. Daniel Hopfer (c. 1470 – 1536) was a German artist who is widely believed to have been the first to use etching in printmaking, at the end of the 15th century. [1] He also worked in woodcut.
Other terms often used for printed engravings are copper engraving, copper-plate engraving or line engraving. Steel engraving is the same technique, on steel or steel-faced plates, and was mostly used for banknotes, illustrations for books, magazines and reproductive prints, letterheads and similar uses from about 1790 to the early 20th century, when the technique became less popular, except ...
Maurice R. Bebb. Maurice R. Bebb (1891–1986) (or M. R. Bebb as he signed his work) was a notable etcher and printmaker of the American Midwest, whose best-known subjects were birds native to Oklahoma and Minnesota, where he spent his time. Etching involves using copper plates on which an artist has etched or “bitten” his picture with acid.
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