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The alternative Super series, denoted SnR, nR Plus or nR+, has an aspect ratio of 3∶2 (or as close as possible) and thus provides a better fit for standard 135 film (35 mm) at sizes of 8 inches or above. 5R is twice the size of a 2R print, 6R twice the size of a 4R print and S8R twice the size of 6R. 4D/6D is a newer size for most consumer ...
List of ukiyo-e terms. This is a list of terms frequently encountered in the description of ukiyo-e (浮世絵) -style Japanese woodblock prints and paintings. For a list of print sizes, see below. Aizuri-e (藍摺絵); "blue picture". Aka-e (赤絵); "red picture". Aratame (改); "examined" character found in many censor seals.
Metropolitan Museum of Art. Woodblock printing in Japan (木版画, mokuhanga) is a technique best known for its use in the ukiyo-e [1] artistic genre of single sheets, but it was also used for printing books in the same period. Invented in China during the Tang dynasty, woodblock printing was widely adopted in Japan during the Edo period (1603 ...
Art photography print types refers to the process and paper of how the photograph is printed and developed. C-Print / Chromogenic Print: A C-Print is the traditional way of printing using negatives or slides, an enlarger, and photographic paper—through a process of exposure and emulsive chemical layers.
Ukiyo-e. Ukiyo-e[a] is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica.
The prints appeared in the common print sizes aiban, hosoban, and ōban. [c] They are divided into four periods. [12] The prints of the first two periods are signed "Tōshūsai Sharaku", the latter two only "Sharaku". The print sizes became progressively smaller and the focus shifts from busts to full-length portraits.
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