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Gamelan (/ ˈ ɡ æ m ə l æ n / [2]) (Javanese: ꦒꦩꦼꦭ꧀ꦭꦤ꧀, Sundanese: ᮌᮙᮨᮜᮔ᮪, Balinese: ᬕᬫ᭄ᬩᭂᬮ᭄ᬮᬦ᭄) is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments.
2 Balinese gamelan varieties. ... Gamelan instruments. This is a list of gamelan varieties. Javanese gamelan varieties
Gamelan instruments were introduced to form a set of musical instruments and developed during the Majapahit empire, and spread to various regions such as Balinese, Sundanese, and Lombok. According to inscriptions and manuscripts that date from the Majapahit period, the Majapahit empire had an art hall that supervised performances, including ...
Balinese gamelan also features more archaic instrumentation than modern Sundanese and Javanese gamelans. Balinese instruments include bronze and bamboo xylophones . Gongs and a number of gong chimes , are used, such as the solo instrument trompong , and a variety of percussion instruments like cymbals , bells , drums and the anklung (a bamboo ...
Both Javanese-like pélog and Sundanese pélog (degung) coexist in Sundanese music. Javanese-like pélog has the 2nd note more neutral (Javanese 2 [ro], Sundanese 4 [ti]) and Degung has the 1st note leaning (closer to Javanese 1 [ji], Sundanese 5 [la]). The Javanese pélog is only found in gamelan pélog instruments, while degung is found ...
In Java, the full gamelan also adds a bowed string instrument (the rebab, a name illustrative of Islamic influence), plucked siter, vertical flute suling and voices. [1] The rebab is one of the main melodic instruments of the ensemble, together with the metallophone gendér; these and the kendang drums are often played by the most experienced ...
Gong Ageng in Javanese Gamelan ensemble Two gong sets; pélog scale set and sléndro scale set. Smaller kempul gongs are suspended between gong ageng (largest, right-side) and its gong suwukan (left, facing rearward). The gong ageng (or gong gedhe in Ngoko Javanese, means large gong) is an Indonesian musical instrument used in the Javanese gamelan.
For example, in Bali, slendro is felt to have a sad sound because it is used as the tuning of gamelan angklung, the traditional ensemble for cremation ceremonies. The connotation also depends on the pathet (roughly, the mode) used. There are three slendro pathet used in Javanese gamelan, nem, sanga, and manyura.
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