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Dramatism, a communication studies theory, was developed by Kenneth Burke as a tool for analyzing human relationships through the use of language. Burke viewed dramatism from the lens of logology , which studies how people's ways of speaking shape their attitudes towards the world. [ 1 ]
The dramatistic pentad forms the core structure of dramatism, a method for examining motivations that the renowned literary critic Kenneth Burke developed. Dramatism recommends the use of a metalinguistic approach to stories about human action that investigates the roles and uses of five rhetorical elements common to all narratives, each of which is related to a question.
Kenneth Duva Burke (May 5, 1897 – November 19, 1993) was an American literary theorist, as well as poet, essayist, and novelist, who wrote on 20th-century philosophy, aesthetics, criticism, and rhetorical theory. [1]
Structuralistic approaches had a lot of influence on literature science and linguistics until the 1970's, but was largely ignored in dramatic theory. [20] Nonetheless, some dramaturges included structuralistic analyses into their work and some literature scientists, such as Herta Schmid, tried to develop a structuralistic dramatic theory. [ 21 ]
[citation needed] In his "Definition of Man" Burke refers to man as the "symbol using animal" because of man's capacity to use a complex web of symbol systems (language) for meaning making. [ 11 ] [ clarification needed ] [ 12 ] According to Burke, individuals create terministic screens consciously and unconsciously, as they perceive the world ...
the genres in which science or technology is more or less a subject and theatrical goals are central; the genres in which science or technology is central and theatre is a more or less accidental means of stimulating the understanding of the artefacts, methodology, concepts and functioning of science and technology
Burke's definition of man states: "Man is the symbol-using (symbol-making, symbol-misusing) animal, inventor of the negative (or moralized by the negative), separated from his natural condition by instruments of his own making, goaded by the spirit of hierarchy (or moved by the sense of order), and rotten with perfection".
Modern rhetoric has gone through many changes since the age of ancient Rome and Greece to fit the societal demands of the time. Kenneth Burke, who is largely credited for defining the notion of modern rhetoric, described modern rhetoric as